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Trois Morceaux op. 13

The collection entitledTrois Morceaux op. 13consists of three works:Coeur Blessée op. 13 no. 1 Amour Passé op. 13 no. 2 and Doute op. 13 no. 3.Musicologist Arnaldo Senise gives the date of 1887 for the composition. The pieces were published by L. Levy & Irmão (São Paulo, nd), Levy & Filhos (nd), Levy-Filhos (nd), L. Levy & Irmão (1929) and Irmãos Vitale (1964).
 
Coeur Blessée(Broken heart),Amour Passé(Past Love) andGive you(Doubt) are miniatures and, from this point of view, they are similar to the small pieces by Schumann and Mendelssohn. Titles evocative of feelings bring them closer to Schumann's practice.
 
The dedication ofCoeur Blessée op. 13 no. 1It is“To Mlle. A. Barbé (Paris)”. In his 1887 travel diary, Levy notes that, on October 26, he met Mlle Barbès, whose first name was Adelaide, in Paris, at the home of Mme Crétenier – to whom he dedicatedDoute op. 13 no. 3. On that occasion Alexandre and Adelaide played, with four hands, theBeethoven's 5th Symphonyand Hoffmann pieces. She also presented theConcertby Grieg and Alexandre, own works.

Amour Passé op. 13 no. 2 is dedicated “To Mlle Elvira Sousa (Buenos Aires)”. It is a small lyrical piece, in the style of Mendelssohn's Romances without Words, although the texture is more polyphonic than is normally found in the works of the author of the Italian Symphony.

Doute op. 13 no. 3 is dedicated is “To Mme. S. Crétinier (Paris)”, in the house of whom, on October 26, 1887, he met Mlle Barbès, whose first name was Adelaide, and to whom he dedicated Amour Passé op. 13 no. two.
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Pedro Sperandio

The training of the Brazilian pianist Pedro Sperandio was marked by different cultural environments in several countries (Conservatory Carlos Gomes of Campinas with Elisabete Rezze, University of Sao Paulo – bachelor's degree in piano with Eduardo Monteiro, Musikhochschule of Cologne (Germany) – master's degree in piano with Claudio Martinez-Mehner, Musikhochschule of Stuttgart (Germany) – master’s degree in fortepiano with Stefania Neonato, École Normale de Musique de Paris (France) – Diplôme de Concertiste supervised by Rena Shereshevskaya). He performs regularly both as a recitalist and in chamber formations, including the Duo Heinecker-Sperandio (soprano and piano), the Duo Noir et Blanc (2 pianos with Anton Gerzenberg), the Rhein-Trio (flute, cello and piano), the ALP&N Trio (clarinet, cello and piano) the Ensemble Musikfabrik Köln (contemporary music). He was invited as a soloist by several orchestras and played in important venues around the world, such as Salle Cortot (Paris), Palau de la Musica (Barcelona), Sala São Paulo, Sala Cecília Meirelles (Rio de Janeiro), Teatro Castro Mendes (Campinas), WDR Funkhaus (Köln). Every year he tours both Europe and Brazil, occasions on which he was able to collaborate with conductors Victor Hugo Toro, Flavio Florence, Marin Alsop, Aylton Escobar, among others.
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Gabriel Brandão

Born in Jundiaí, Gabriel Brandão graduated in 2021 with a bachelor's degree in piano at the University of Sao Paulo under the guidance of Luciana Sayure. For 4 years he was a monitor at the USP Piano Laboratory, collaborating in the organisation of events and working on university extension projects. He won 1st prize at the 27th Souza Lima Piano Competition and in 2021 he performed as a soloist with the Henrique Marques Symphonic Band playing Keith Emerson's Concerto No. 1.
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Milena Lopes

Milena Lopes holds a bachelor's degree in piano from the University of São Paulo under the guidance of Luciana Sayure and a master's degree in performance from UNICAMP under the guidance of Alexandre Zamith. She began her musical training at the age of 5 and later joined the Tatuí Conservatory, where she continued her training in 2008. She took awards in important competitions such as the 23rd Nascente USP Prize (1st place), Botucatu Symphonic Orchestra Competition (1st place), National Piano Competition Maestro Spartacco Rossi (revelation pianist), among others. She participated in masterclasses with renowned musicians including Paul Lewis, Alexander Toradze, Caio Pagano, Bernard Flavigny. She has collaborated with important names such as Elisabet Franch, Angela Jones, Amalia Tortajada, Sally Walker. She has performed in several series of solo piano recitals such as MuBe, Biblioteca Brasiliana Mindlin, Sala Aronne, Teatro Procópio Ferreira. She is currently a member of the teaching staff of the Tatuí Conservatory.
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